In Amsterdam, an Adelaide filmmaker and their non-binary teen reconnect with the family’s flamboyant patriarch. As old tensions resurface, Jimpa becomes a tender, emotionally precise portrait of queer family, care and the shifting boundaries between generations. Sophie Hyde’s most personal film yet, fresh from Sundance acclaim.

Em visits Jessie in Melbourne for a weekend of laughter, and late-night truths. What begins as easy reconnection slowly shifts. Fwends is a sharply observed, gently aching study of friendship, change, and the quiet distance that grows between the people who once knew you best.

A sweltering beach house party in 1986 turns savage when a spiked cupcake, a jealous cousin, and a gang of violent men crash the scene. Penny Lane is Dead is a punk-fuelled, blood-soaked survival thriller laced with dark comedy and gendered rage.

Despite bans and imprisonment, Iranian master filmmaker Jafar Panahi continues to make great humanist films. In the middle of the night a damaged car arrives at mechanic Vahid’s garage. He hears something that triggers him to believe that the driver of the car is the official who had tortured him. But as he never saw his face, can he really be sure?

David Dalaithngu Gulpilil’s death in 2021 was the beginning of a journey home to his birthplace Gupulul in Arnhem Land. His Bäpurru (funeral ceremony) is a celebration of law, of country, of tradition, of kinship, of ceremony. Journey Home, David Gulpilil offers a rare glimpse into the strong culture that lives on in the heart of his people.

A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother.