Agata (Mia Wasikowska) a disillusioned writer, arrives in Sarajevo to write a novel set during the Bosnian war. As she speaks with survivors, her project begins to unravel. In the house where she’s staying, obscene art objects begin to vanish, and the line between lived experience and fiction starts to dissolve.

River (Mia Barret) wants to run away from it all, following the tragic death of her mother. But when she falls in with bad boy Marcus (My Brilliant Career’s William McKenna), his insistence on ‘no strings attached’ actually leads the way to a place of hope and healing for both wounded souls.

Plagued by migraines, frustrated filmmaker Elsa (Bárbara Lennie) mines the death of her mother and the tragedy of her friend Natalia (Milena Smit) for a screenplay. Twenty years later, Almodóvar stand-in Raúl (Leonardo Sbaraglia) writes a suspiciously similar story placing him at odds with his loyal assistant, Mónica (Aitana Sánchez-Gijón). But who is fact and who is fiction in this deeply personal, Palme d’Or-nominated reckoning with art and life, also featuring Almodóvar stalwart Rossy de Palma.

Sixteen-year-old swimmer Paula crushes on Daniel, hoping to kiss him at a party she attends with her best friend, La Maestra. But excitement turns to dread in the days that follow, during a sweltering summer in Mexico City. A deft exploration of consent that every teenager should see.